2021 Year End Recap

Things to be grateful for this (and every!) year: For the warm snoring bodies of the people we love next to us in the bed. For daily walks past people’s yards landscaped with strange desert flowers. For breathing clean air. For rainy days and cars that run. For creative impulses, and the time and ability to pursue them. For family, friends, and random moments of beauty shared with strangers. For sudden trips to far-off places. For the continuation of life. 

2021 in a Nutshell: 

⬆ B got to see old friends in Indiana.

⬆ We both got to see friends again in Los Angeles.

⬆ B took a trip to Argentina – it’s on a whole other CONTINENT, ya’ll!

⬇Paul had his gall bladder removed – it was stressful…

⬆ …but now he can eat Panda Express orange-flavored chicken again.

⬇Some household-maintenance issues that were not fun or short or cheap.

⬆B joined some writing groups and loved having an online writing community. 

⬆Paul was happy to go back to live board game groups, and recordings for his podcast group

⬆B achieved a 265-day Duolingo streak. (Como se llama at me, baby, I’m ready!)

⬆Paul and B got our first produced TV writing credit.  

⬆B won a prize for a short story, optioned a show, and got a TV agent. 

Americanish, which Paul produced, won prizes at almost every festival where they played! 

⬇Nobody sold a script or got a job in a writers room.

⬇ Some health stuff that we’ll talk about in a minute… 

But first,

Some Stuff We’ll Do in 2022!

Barrington:  

  • Exploring UX Writing and Content Design as a career path. No idea what this is? Doesn’t matter, just say “something with computers.”  The exciting thing for me is that the more I research, the more I’m finding that the many jobs and side-hustles I’ve juggled over the years have all been training me for a job in this field. Seriously, I might be The Karate Kid of UX Writing! 
  • I’m also committed to some Kondo-level decluttering this year, in my physical space and beyond. 

Paul: 

  • After threatening to start his own podcast for most of 2021, he says that 2022 could be the year he pulls the trigger!  Two potential titles are: Five Ticket Ride (there’s a story behind this one) and Paul Saves the World… featuring Patrick. (I’m assuming his friend Patrick is his partner in crime on this.) 
  • He’s keeping the faith for his various film projects breaking through, looking forward to the pandemic actually being over, visiting friends, traveling and, of course, winning the lottery.

Dumb Health Stuff I Don’t Want To Write

No one knows every hurdle a new year might bring, but in our case, the first one is already up to bat.  In October, I received a cancer diagnosis. It’s colon cancer, like once before in the past, but smaller. Really, so much smaller. It isn’t life-threatening, but there are varied opinions regarding what amount of surgical intervention will be necessary to remove it.  If you know me, you know that in addition to jumping through the traditional medical hoops of doctors, second opinions, etc., I’m also doing all the things like veggie juice, supplements, no-sugar, meditation, etc.

I am gratefully accepting prayers, healing thoughts, good vibes and any and all assorted types of woo-woo energy. If you need a mantra or something to manifest, try the phrase: stage R-zero.

If that’s too short, you can add: and Paul wins the lottery!  (This letter has been edited by Paul.)

Quick Wrap Up

That about wraps up 2021. Despite a few things that didn’t turn out as awesome as we hoped, we really did have a lot of fun times this year. Here’s a picture to show you that we’re still standing:

Proof of Life!

Sending lots of love and affection and our very best wishes for 2022,

Barrington and Paul

The Whole Screencraft Screenwriting Interview

The folks at Screencraft (they run the contest that I won earlier this year) recently sent me some prompts / questions about my screenwriting journey in order to cull testimonials from my answers. They managed to find a few uplifting snippets to use in their Instagram / Twitter posts — and kudos to them for that, because even though I made real efforts to be positive, some of these answers feel a little… dark. However, I seem to have arrived at a point in my life/career where young hopefuls ask me for insights and advice, so for what it’s worth, here are the prompts and my answers in their entirety.

  • What did you find were some of the biggest obstacles to your screenwriting career goals?

Before I went back to school for writing, I was a freelancer who worked on various shows and events, one gig would always lead to other gigs. You work with people, they get to know your personality and work and then either request or refer you for another job. I got used to that. But after I graduated from my writing program, I took a full time day job that was separate from the industry I wanted to be in, and I think I really gave up an advantage by removing myself from the daily view of people who were in the industry. I see the question come up a lot among early career writers — “Is it better to stay close to the industry, even at the expense of writing time, or to get a day job that lets you practice skills and generate material?” It’s a tough call! At the time, I had reasons for making the choice I did, but purely in terms of career-building, I can see how stepping away from the path had some costs.

  • Was there ever a point when you felt most rejected? 

If anyone out there is unaware, it’s probably good to know that the entertainment business is the business of rejection. After your dreams get dashed the first few times, I’ve found that all the rejections kind of become a blur.  But I’m happy to tell you about my most recent example:  I gave a new script to someone who I really needed to like it — a gatekeeper — and they didn’t like it. At all. A big door that I’d hoped would be opened instead slammed in my face. It’s clear in my memory because it was literally a couple days ago and I’m still recovering as I write this.  But at the same time, I’m aware that even having a relationship with a gatekeeper who’s willing to read my work and give their honest opinion is a privilege —one that took me years to achieve, and that many people don’t have — so I never forget to appreciate it.  A rejection of one’s work is still an affirmation of one’s existence!  

  • Are there moments when you think about giving up. What motivates you to keep going? 

In terms of ever making my living by screenwriting, I’d say I think about giving up six days out of seven. My escape strategies are a running joke with friends—I literally have tabs open in my browser right now for “how to be a UX writer.”  But thus far, I’ve kept going, and I think there are a couple reasons why:  The first is that I somehow always have one more iron in the fire. Like right now, I have a pitch being considered at a company for a project I would really-really-really like to do, so I’m waiting to see what happens. And while I’m waiting, I’m working on other things, so by the time this project doesn’t work out (or maybe does—this could be the one —manifestations welcome), I’ll have something else to hope for. The second reason is a little more “woo-woo” which is that I deep-down believe that this is where my gifts lie, and that someday I’m going to be part of making something awesome and meaningful, if I can just find my way to it.

  • Where are you currently in your career? Anything that you are excited about?

I’m at a place in my career now where it’s easy to feel frustrated, because time passes and I’m still side-hustling to support my writing when I want my writing to support itself. But, I’m also in a place where I once aspired to be: I’ve had representation for a while, and recently added a TV agent to the team! And I’m celebrating my first produced TV credit (with writing partner Paul Seetachitt) — an episode of Creepshow that came out last month called “Time Out.” It’s gotten a lot of complimentary reviews, which is validating. These things give me hope that I’m getting closer to where I want to be.

  • What drew you to ScreenCraft and how did the competition help you?

A good friend who knows that I also write short stories sent me the link to the ScreenCraft Cinematic Short Story competition. At this point I’ve largely forsworn writing competitions, but for some reason I decided to enter… and it worked out! I got to meet with one of the judges which was my first one-on-one meeting with a showrunner and was exciting for me. And while I already had representation, the buzz surrounding winning the Grand Prize inspired my reps to send the story out, and I think was key in their decision to add a TV agent to my team, which is something I’d really been wanting for a long time — so that felt like a victory.  I’ve really appreciated that Screencraft has a team of real people who have checked in on my progress since the contest. They’ve pushed me to evaluate those things that any writer can and should control — like online visibility and professional outreach —  and encouraged me to be accountable and level those up. 

  • What advice would you give to your younger self as a writer?

Now that I sometimes teach writing, I’ve realized how much I appreciate students who make the effort to show me who they are — I don’t mind if it takes a few minutes after class. It’s enjoyable, and it makes it easier for me to write a recommendation or refer them for an internship or whatever. Being on this side of things makes me look back and think about how often in my life I’ve made the choice to  “not bother” someone higher up the ladder than me instead of taking that little risk. If I could advise my younger self (without disturbing the time-space continuum), I would say, “Be braver sooner. You’re a joy, not a burden.” It’s probably good advice for my older self as well.

Writing Update: August/September/October

WRITING

My top three projects for August/September/October (as measured in hours devoted) were:  

A VERY PEARTREE CHRISTMAS – horror rom-com spec feature (with Paul Seetachitt) 
Christmas-resistant journalist is sent to the town of PearTree to cover their annual Twelve Days of Christmas Festival only to discover that a series of  gruesome “accidents” occurring during the festivities are actually ritualistic murders, orchestrated to resurrect the demon, Krampus.
Paul Seetachitt and I pushed to get it ready for pre-holiday reading. Available now!

THE INFLUENCER (suspense-horror spec feature)
When the manager / best friend of a struggling social media influencer cuts a deal for her client to beta-test some new tech in order to get more followers, the results are more than she bargained for. 
Did some rewriting in September and submitted. Readers (i.e. my reps) have come back with an intriguing idea… should it be a TV series instead?! Hmmmm. Stay tuned to hear how this one turns out.

GIRL, WOLF, WOODSMAN (short fiction)
A contemporary re-imagining of “Little Red Riding Hood” that details what happens after the woodsman heroically dispenses with that pesky wolf. 
Found this one in the archives and decided to finish it at long last. Did a round of submissions to literary journals — we’ll see if it finds a home.  There’s also a short screenplay version waiting in the wings.  

WATCHING

MOVIES: The Green Knight, Free Guy, Shang-Chi and the Legend of the Ten Rings, The Card Counter, Americanish, Natalie, The Tomorrow War, Malignant, No Time to Die, Last Night in Soho, Eternals

TV: Dave, Ted Lasso, Mare of Easttown, The Boys, We Are Lady Parts, The Other Two (pilot); The Chair, Foundation, Squid Game, We Are Here, Great British Bake Off

READING

Klara and the Sun, Kazuo Ishiguru; Anxious People, Fredrik Backman; Women in White Coats; Olivia Campbell, Gone, Lisa Gardner; An Ordinary Wonder, Buki Papillon; Afterlives, Thomas Pierce; Elevation, Stephen King; The Woman in the Window, A.J. Finn; Best of Tor.com 2020; Heroine with 1001 Faces, Maria Tatar  Heroine with 1001 Faces, Maria Tatar 

LISTENING

New category! I’ve discovered and am really getting into scripted podcast series. Like radio plays of old… or TV for your ears…

Wolverine, The Long Night (Marvel), Moonface, Blood Ties, True Love, Bridgewater, Aftershock

APPRECIATING

Boundaries crossed after seeming millennia:

A TV agent (Auri Maruri at Gersh), and my first official TV credit (Creepshow, Season 3, Episode 5: “Time Out.”)

Maintenance Sucks… and It’s a Privilege



Sometimes I get really disheartened because I have to do so much side-hustling while the “real job” of being a writer — the job that I’m am trained at, good at and want to do — feels like a shell game.  I keep doing the work, but the target is always moving and it never seems to pay off.

So then I get doubly irritated when, out of the blue, the equivalent of a third unpaid job falls on me. In September, a bathroom pipe in my condo sprang a leak in the middle of the night. In the morning I was on the phone with tenants, the homeowners’ association, plumbers, water mitigation experts, the insurance company and the (rightfully) very irate downstairs neighbor. And for almost two months, hours of each day was consumed by logistics, and communicating those logistics to all the relevant parties. Because of pandemic-related “supply chain issues,” every two minute visit to the Home Depot website for a part became hours of rabbit holing, scrounging and waiting, and then more hours separately explaining and apologizing for those delays to the tenant, the irate neighbor, etc. It was frustrating.

It was also what what my brother-in-law would call a “First Class Problem.”

Because someone could easily say: “Fuck you… YOU OWN A CONDO IN LOS ANGELES. I’ll take that problem off your hands.”

And that person would be right. I can feel frustrated because maintaining property, is tedious, time consuming, expensive— but I should never forget to feel grateful for the circumstance that makes the problem possible.

Which brings me to the stress and tedium of maintaining my other property — the body I live in. Specifically at this moment, the cancer. I’ve had blood draws and CT scans and doctor’s appointments where we discuss doing things to my body I don’t want to do. I have launched a routine that requires hours each week (if not each day) buying, cleaning, cutting and juicing vegetables, then cleaning the juicer and the entire kitchen which some how ends up covered in a carrot / beet blood splatter. It takes more time to meditate, and read medical journal articles on the internet. I wake up some mornings buzzing with anxiety. I may have mentioned on this blog how I get anxious packing for a trip. I worry about making decisions I’ll regret. What if I bring things I don’t need? What if I don’t bring things I need?  And that’s when I’m traveling for a week. So clearly it’s daunting to decide on treatment options that I’ll have to live with for the rest of my life.

But, weird as it seems to say, it is also still a first class problem. I live in a healthy-feeling body — which is an entirely different experience from dealing with all this from a body in pain. I’m editing this as I wait on hold to make a doctor’s appointment because I have health insurance and because my work-from-home situation allows it. My cancer was detected early because I have health care.I’m housed. I have a juicer, access to fresh food and information. And I have friends and family who want to help. I am surrounded by generosity.

The world is touching me, and I am blessed.

B’s 2020 Look Back (Silver Linings Edition)

View from Baldwin Hills Overlook, December 25, 2020.

Wait… Did I send a 2019 update? I did not. I started (in my head at least), but so much was happening at the end of 2019 that I put it off, figuring I’d finish it once everything got “back to normal” in 2020.

To which 2020 said:

😂😂😂😂 HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA 😂😂😂😂

While I didn’t finish an update letter in 2019 because life was frenetic, the true-true is that even before the frenzy hit the fan, I was having trouble figuring out what to write. Though I’m a fan of “honest” holiday letters, no one needs a depressing whine-fest, and coming to the end of 2019, I was more than disheartened. Events and circumstances during the year had led to a loss of faith in people, in the universe and in myself. 

What were these events that led to my year-end funk? I don’t remember. Looking back, it’s all a blur. So, I guess a silver lining of 2020 is that it has pretty much obliterated my recall of  2019.

Which brings me to the inspiration for this update: Silver Linings. Winning out over topics like Year-End Podcast Lists, Great Books and TV, and Even More About Writing, I offer a small sampler platter of bright spots and blessings.*

JANUARY: Paul and I got the opportunity to go to Gainesville, Florida and teach film classes for the spring semester at University of Florida! Two days before leaving Los Angeles, our Florida housing plans fell through (thanks again, 2019!). When we arrived, Paul’s friend, Iman, and her family opened their home to us and hosted us for a month, sharing rides and meals and stories and downtime in front of the TV. I think my favorite form of getting to know people better is simply co-existing in their environment, which made this detour in our plans a gift.

MARCH / APRIL: In early March, the pandemic lockdowns began. While the best timing for a pandemic would have been never, the second best timing, for me, was when it happened. After a precarious 2019, a semester-long gig felt stable, and teaching 3 three-hour classes a week offered structure. I had the distractions of deadlines aplenty, learning  new technologies, and students who were depending on me.  All of this meant my existential angst was supplanted by a more fun “race to the finish line of this project” anxiety.  At the same time, friends Matt and Dmitry started a War and Peace Covid-19 challenge, with a goal of reading 50 pages every day. With the gyms closed, I listened to War and Peace on audiobook as I went on walks in the mornings and evenings. I didn’t always meet the page quota, but it was a simple pleasure and  a perfect distraction– and now I’ve read War and Peace

B and Paul outside the Publix in April, wearing 1st-gen, DIY masks made from paper towels and rubber bands.

MAY/ JUNE: We’d been back in Los Angeles a few weeks when the killing of George Floyd and other injustices prompted the Black Lives Matter protests. During this time, a friend, Beto, proposed an “anti-racist bookclub.” He and his friends did the work of planning,  organizing and facilitating a group with clear intentions and dynamics. Over the last six months, I’ve benefited from their insightful company while reading the works of bell hooks, Audre Lorde, James Baldwin, Ibram Kendi and others. In parallel, old friends Kendall and Annie nudged me to join their book club just in time to embark on Howard Zinn’s 800-page A People’s History of the United States.  Throughout my life, especially during pivotal times, certain books have helped me, prepared me, gifted me with new perspectives and a clearer vision of the world — and this year’s reading experience falls in that category.  

SEPTEMBER  The fires in California turned the skies to smoky haze, and then orange. For days we avoided going outdoors and felt unsafe breathing the air even inside.  We felt fortunate that our neighborhood was never in jeopardy, just as people everywhere feel lucky when disasters seem to be happening elsewhere. The other silver lining is that the fires added urgency to my growing feeling that, in the face of our social and environmental issues, it is not enough for me to simply be unobjectionable. Writing postcards, and phone banking for democratic candidates were steps too long delayed, but ones that have started me down a path of greater engagement. I owe thanks to folks (Megan, Caitlyn, Tracy) who made themselves vocal and visible on social media, offering instructions and opportunities that made it easier for people like me to become more a part of our political process. 

NOVEMBER / DECEMBER Amidst health concerns for the world, these two months were touched by family health concerns. November began with my mother’s knee replacement, ended with news my uncle had suffered a stroke, and in between, Paul experienced a painful bout of pancreatitis that was traced to some gallstones. Though travel to Indiana and then Texas during a pandemic had not been part of our plans, I appreciated more than ever the opportunity to be with loved ones, under any circumstances, and am happy and relieved to report that everyone is on the road to recovery.

And these most recent events have reminded me how, even with the world’s myriad problems, these are — as Paul Simon sings — days of miracle and wonder. Knees are replaced, helicopters airlift you from tiny towns in Texas, machines scan inside you and tell you what’s wrong, information and our own images zip and Zoom around the world in an instant— and scientists create vaccines that can help our cells fight (electron) microscopic viruses.

I don’t want to place too great a pressure on 2021 — January 1st will not be the day we arrive at the light at the end of the tunnel. But I do think we can see it from here, and that we have the opportunity to make the tunnel itself a little brighter and easier to travel with the light we carry with us. So, with lots of love and good wishes, here’s to a —

Happy 2021!

* A few disclaimers: 1) The overarching fact that we are healthy, we are housed, we are together… those alone mean it has been a great year. 2) This list leaves out so many moments and people, of course. My thank you list would be longer than at any Oscars speech. 3) Several of my silver linings exist against dark clouds like pandemic, systemic racism, fires that have caused countless people to suffer. I don’t know what to do with that fact, except to acknowledge it, and pray and work for an end to those clouds.