I said I’d let you know when interviews were up in conjunction with the upcoming Women of Horror anthology, The One That Got Away, which I thought was launching Feb 1, but I see is ALREADY on Amazon! Here is the first one! The delightful Paula R.C. Readman, who also has a story in the book, fed me virtual cakes and hot chocolate and let me ramble answer questions on her blog.
Some additional news I got this week is that this same story in this anthology, “Shell,” is one of two stories that are now semifinalists in the ScreenCraft Cinematic Short Story Competition. Here’s the list which, you can see, is very exciting and official because there are laurels around the word “Semifinalists.”
Things I don’t love to do: 1) Social Media in general 2) Twitter.
I happily collaborate on clients’ blogs, products, website content — but, thus far, I’ve drawn the line at posts for social media platforms. There are a lot of benefits to using social media, but as everyone who has seen The Social Dilemma (i.e. everyone) knows, there are also a lot of drawbacks to using it. As a writer, I particularly resent the way it pulls my mind away from a project for just a minute that turns into much longer than a minute. A study at UC Irvine (cited by almost any article you read on the topic) showed that it generally takes more than 23 minutes to get your flow back after an interruption like, say, scrolling through a SM feed.
I’m barely surviving my personal social media use: making social media part of my job seems much worse! I once worked on a screenplay for several hours a day for two years and came out strong — but after the screenplay was finished, simply maintaining the social media for our fund-raising campaign contributed to a moment of burnout that caused me to distance myself from the entire project. Last month, I had an opportunity to pitch my services to a client I would have loved to work with, but because her main goals were social media oriented, I ended up referring her to another writer.
So how did I just volunteer to manage a company’s Twitter account? Like this:
During the first week of November, I did my bi-monthly Instagram check and saw I’d been tagged in a post announcing that MY ZOMBIE PARENTS was a November “staff pick of the month” on Scriptd.com.
This was cool! Also, a complete surprise, as I had uploaded the script to the site in 2015. At the time, I’d been asked to upload some scripts by friend of the founder of the site. I don’t have much faith in any database sites. I had recently experimented with the much-touted blcklst.com and later tried Inktip. Both left me under-impressed with pay-to-play listing services. But, it was a friend of a friend, and it was FREE. I uploaded. Then I forgot about it…
Until November 2020 when MY ZOMBIE PARENTS was named a Staff Pick of the Month. That was cool. I’ve always had a soft spot for this screenplay — the first one Paul and I ever worked on together. I would be proud to share/ retweet any accolades it receives on Facebook — which, problematic as it is, is where my IRL friends are because I am old — or Twitter — where the screenwriting community hangs out.
But when I looked, I noticed Scriptd hadn’t tweeted since February. A screenplay database with Instagram, but no Facebook or Twitter? It seemed an odd choice!
Curious, I did some internet research. And came across this talk by the founder of Scriptd, (and my aforementioned friend’s friend) Denise Hewitt.
Watching this, of course, it started to make sense. Social media is time and labor consuming, and judging from this, Scriptd was likely underfunded and under-resourced. Which is a shame, because it’s VERY HARD to get your work seen in Hollywood by those who might help your project or career. Myriad contests and sites that offer to help — but always for a price. Those who have read this blog over time know that I don’t have a lot of love for the profit-making side-industry that has grown up on the backs of writers and their dreams. Not to disparage the good intentions of the blcklst.coms and inktip.coms of the world to connect people — but the fact is that they are money-making ventures and they make money from writers whether or not they help them. Last week screenwriting Twitter was a-twit with bigger writers “gifting” a month of blcklst hosting ($30/month) and reader evals ($75 / feature or one-hour script or $50 / half-hour script to smaller (poorer) writers. I’m not being sarcastic when I say it was heartwarming, which is why I feel like a Scrooge that I have to point out that that blcklst is making their money either way, and that we are all complicit in normalizingthe idea that aspiring writers need to make these often out-of-reach monetary investments.
I am skeptical about how often “industry” people (i.e. managers, agents, producers) use any of these databases. Blcklst.com and Inktip are both fairly coy in how they present their accounting, and when I experimented with them a few years back, my investments resulted in description page views in the single digits and zero unpaid script views.
Can Scriptd offer better exposure than these paid platforms? I honestly don’t see how, especially without more marketing to raise awareness. But can it do as well? Given my experience, it *literally* cannot do worse. So, why not?
Because, again… Scriptd is FREE.
FREE. FREE. FREE. For writers and for readers.
As a woman, Denise’s video made me frustrated and mad for all the usual reasons. It made me feel like writing to her and volunteering to tweet for her site, even though I don’t like tweeting
So I did.
And now I’m tweeting for Scriptd!
I don’t know if this will change much — except that I will finally choose and learn to use a social media manager (like Hootsuite or similar), which is useful. And maybe I can help a few writers and actors have more visibility. I’d love it if some of those writers will be chosen for a live-read, or a staff pick, or someone will read their work and give them a boost in some way. That’s pretty much all this business is about.
So, if you have a script, put it up (for free!) on Scriptd.com.
(And if you have money or applicable skills and want to become part of making a MY ZOMBIE PARENTS graphic novel in the next couple years — let me know!)
Some context: My out-of-date Blcklst.com reviews from 2014: Parts One, Two and Three An AFF review of My Zombie Parents circa 2015.
Guys, I’m thinking about starting a vlog. It’s not something I’ve considered before because I don’t love being on camera or speaking spontaneously and especially for the style I’m thinking about it will require camera and editing skills far beyond what I have. I can already envision the amount of media collection and organization that will be called for, and I know I will want to kill myself. But still, I’m thinking about it.
I think it’s because I have two things going on simultaneously in life right now:
In my freelance “content creation/consulting” career, I’m working with a client who is considering adding various types of video content to her business.
I’m writing a fictional screenplay where the main character is a YouTuber/Influencer.
The result is that I am researching, reading about and watching more YouTube vlog-type content than ever before. And I’m thinking… “this looks interesting!” It’s kind of like personal essay, kind of like blogging, and kind of like documentary…
Would it be fun, or just a ton more work? Actually I can tell it would be a ton more work. Would it also be fun?
I have “hidden” all my friends on facebook who use “Lil Greenpatch” as their automatic status updater.
This probably makes me a bad person.
But since I’ve confessed that, I’ll confess something else…those “friends” were the ones who, when I saw their friend requests, I thought either “ugh” or “why?”
So is the Lil Green Patch thing proof that I already had some intuition about how our FB friendship would progress, or is it just the reason I have come up with for the hiding people I really didn’t know or like to begin with?
Or do I just have a disaffinity for people who love the environment?
Or do they feel the same about me, and just needed a mass of people to spam with this very good cause, and I was one of them?