Updates on”Shell,” Life and 70s Fashion

Yesterday, I got an email from Screencraft letting me know that “Shell” was now a finalist in their Cinematic Short Story Competition. Looks like that means the top 50. Not bad! We’ll see what happens in March.

Also in “Shell” news. I opened “the Twitter” and saw I was mentioned in a tweet from Kandisha Press. Turns out that I’m today’s featured writer from the On That Got Away anthology. I told myself that this year I was not going to shy away from any offers of promotion, so when they asked for a three-minute clip of me reading from the story a little while back, I did it. I’m hoping it’s one of those things that is embarrassing now, but in ten or fifteen years I’ll run across it and think — awwww, that’s sweet! Look how young I look! I might or might not be a little squished in this video, as I don’t think my face is quite this oblong — we probably gave them a rectangle and this is the side effect of making it a social-media friendly square — but I don’t mind that, and Paul did a nice job of finding some sunny but slightly spooking lighting…

As is so often the case these days — announcements of this type seem pale in the face of LIFE — specifically OTHER people’s lives — as a cold snap around the country took hold this week, and a number of friends (along with thousands of strangers) in Texas have been left without power to their homes at the same time that pipes are freezing and bursting, leaving them without water as well. I feel bad for them!

I was reading an essay this past week about how social media contributes to stress because it’s become so much easier to know more about the troubles of people who are far away, but our ability to help is essentially the same. One thing that has changed is we have more ability to create opportunities to donate and more awareness of opportunities to donate… but these, like troubles, begin to seem unending and out of reach, which becomes an additional source guilt and stress. I have a lot of well intentioned folks on my feeds, and for every cause I donate to, there are ten or twenty that I have to pass by… 😕

Ummmm… other random updates:

This last weekend was a grab-bag of uneventful “smaller” holidays. Chinese New Year (obviously NOT small in other places, but not widely observed here) was Friday, February 12. Saturday was Gal-entines Day — a Parks and Rec invention which every year seems to be a real-er thing. Valentines Day was Sunday and Presidents Day was Monday. We didn’t do much for any of these at our house. Paul tried to order Chinese Food on Friday, but his efforts were thwarted, so we ended up eating spaghetti. I threw my back out on Saturday morning and spent most of the day “on ice” – literally lying on ice-packs – but recovered enough to attend a nice “Zoom tea” with a women’s group I belong to. On Sunday, by mutual agreement, we had a normal day Valentine’s-wise (though made special by the fact that I wasn’t lying on ice-packs.) On Monday, my standing client meeting was cancelled so I enjoyed having some time to catch up.

The other very-small event from the weekend is that we finished watching THE CROWN — at least to the end of Season 4. Our third housemate lives with us part time, having a job where she sleeps away Tuesday through Thursday and is at our place Friday through Monday. On the nights she’s home, we’ve established a pandemic routine of watching an episode of a show together each evening. SCHITT’S CREEK was a highlight of 2020, and it was hard to think of what to follow it up with, but we settled on The Crown — which is obviously very different, but also rewarding. This weekend we’re beginning THE WEST WING.

In addition to this very civilized episode per evening activity, I’m watching on my own I MAY DESTROY YOU and a classic CW show, THE 4400. Paul and I are watching some newer shows, like WANDAVISION, MR. MAYOR, and (help us) CALL ME KAT and … in wake of the recent movie, Paul has decided to rediscover the WONDER WOMAN from the 70s with Lynda Carter and Lyle Waggoner.

We’ve discovered that Steve Trevor and Diana Prince had some rockin’ outfits* and have decided that if we ever get rich, in addition to donating to everyone’s Go Fund Me’s, we’re going to hire someone to recreate some of our favorite outfits from the show. None of these show up in a Google search, so here are some snaps of our TV screen:

I especially like Diana’s long red vest with the stitching. Paul is oddly fond of Steve’s yellow jacket!

*Note — this post has been edited from the original, wherein I expressed surprise that Wonder Woman had such cool clothes in the 80s. It turns out that I was misinformed — these episodes were shot circa 1977, when fashion was AWESOME — and thus I am now much less surprised!

Author Interview for “Shell”

I said I’d let you know when interviews were up in conjunction with the upcoming Women of Horror anthology, The One That Got Away, which I thought was launching Feb 1, but I see is ALREADY on Amazon! Here is the first one! The delightful Paula R.C. Readman, who also has a story in the book, fed me virtual cakes and hot chocolate and let me ramble answer questions on her blog.

Some additional news I got this week is that this same story in this anthology, “Shell,” is one of two stories that are now semifinalists in the ScreenCraft Cinematic Short Story Competition. Here’s the list which, you can see, is very exciting and official because there are laurels around the word “Semifinalists.”

Before The Year Ends — Some Writing News

A couple of 2020 bright spots as we round out the year.

I think it’s okay to mention, as rumors of Season 3 have been public since June. Paul and I got to do this:

Title page from the official “shooting script!”

We wrote in the fall and have heard that the shoot actually happened in December in Atlanta, making this our first-ever produced writing for TV! It’s not for Season 2, which is currently on the air, but for the hoped-for (knock wood) Season 3. I’ll post when they announce any dates!

Also my short story, “Shell,” was selected to be in Volume 3 of this anthology series.

The folks at Kandisha Press are aiming to publish in early spring. I’m starting to hear about fun stuff like Q & A articles and author round-tables, so I’ll share any details I get about those in future posts!

My New Volunteer Gig (brought to you by My Zombie Parents)

Things I don’t love to do:
1) Social Media in general
2) Twitter.

I happily collaborate on clients’ blogs, products, website content — but, thus far, I’ve drawn the line at posts for social media platforms. There are a lot of benefits to using social media, but as everyone who has seen The Social Dilemma (i.e. everyone) knows, there are also a lot of drawbacks to using it. As a writer, I particularly resent the way it pulls my mind away from a project for just a minute that turns into much longer than a minute. A study at UC Irvine (cited by almost any article you read on the topic) showed that it generally takes more than 23 minutes to get your flow back after an interruption like, say, scrolling through a SM feed.

I’m barely surviving my personal social media use: making social media part of my job seems much worse! I once worked on a screenplay for several hours a day for two years and came out strong — but after the screenplay was finished, simply maintaining the social media for our fund-raising campaign contributed to a moment of burnout that caused me to distance myself from the entire project. Last month, I had an opportunity to pitch my services to a client I would have loved to work with, but because her main goals were social media oriented, I ended up referring her to another writer.

So how did I just volunteer to manage a company’s Twitter account? Like this:

During the first week of November, I did my bi-monthly Instagram check and saw I’d been tagged in a post announcing that MY ZOMBIE PARENTS was a November “staff pick of the month” on Scriptd.com.

This was cool! Also, a complete surprise, as I had uploaded the script to the site in 2015. At the time, I’d been asked to upload some scripts by friend of the founder of the site. I don’t have much faith in any database sites. I had recently experimented with the much-touted blcklst.com and later tried Inktip. Both left me under-impressed with pay-to-play listing services. But, it was a friend of a friend, and it was FREE. I uploaded. Then I forgot about it…

Until November 2020 when MY ZOMBIE PARENTS was named a Staff Pick of the Month. That was cool. I’ve always had a soft spot for this screenplay — the first one Paul and I ever worked on together. I would be proud to share/ retweet any accolades it receives on Facebook — which, problematic as it is, is where my IRL friends are because I am old — or Twitter — where the screenwriting community hangs out.

But when I looked, I noticed Scriptd hadn’t tweeted since February. A screenplay database with Instagram, but no Facebook or Twitter? It seemed an odd choice!

Curious, I did some internet research. And came across this talk by the founder of Scriptd, (and my aforementioned friend’s friend) Denise Hewitt.

Watching this, of course, it started to make sense. Social media is time and labor consuming, and judging from this, Scriptd was likely underfunded and under-resourced. Which is a shame, because it’s VERY HARD to get your work seen in Hollywood by those who might help your project or career. Myriad contests and sites that offer to help — but always for a price. Those who have read this blog over time know that I don’t have a lot of love for the profit-making side-industry that has grown up on the backs of writers and their dreams. Not to disparage the good intentions of the blcklst.coms and inktip.coms of the world to connect people — but the fact is that they are money-making ventures and they make money from writers whether or not they help them. Last week screenwriting Twitter was a-twit with bigger writers “gifting” a month of blcklst hosting ($30/month) and reader evals ($75 / feature or one-hour script or $50 / half-hour script to smaller (poorer) writers. I’m not being sarcastic when I say it was heartwarming, which is why I feel like a Scrooge that I have to point out that that blcklst is making their money either way, and that we are all complicit in normalizing the idea that aspiring writers need to make these often out-of-reach monetary investments.

I am skeptical about how often “industry” people (i.e. managers, agents, producers) use any of these databases. Blcklst.com and Inktip are both fairly coy in how they present their accounting, and when I experimented with them a few years back, my investments resulted in description page views in the single digits and zero unpaid script views.

Can Scriptd offer better exposure than these paid platforms? I honestly don’t see how, especially without more marketing to raise awareness. But can it do as well? Given my experience, it *literally* cannot do worse. So, why not?

Because, again… Scriptd is FREE.

FREE. FREE. FREE. For writers and for readers.

As a woman, Denise’s video made me frustrated and mad for all the usual reasons. It made me feel like writing to her and volunteering to tweet for her site, even though I don’t like tweeting

So I did.

And now I’m tweeting for Scriptd!

I don’t know if this will change much — except that I will finally choose and learn to use a social media manager (like Hootsuite or similar), which is useful. And maybe I can help a few writers and actors have more visibility. I’d love it if some of those writers will be chosen for a live-read, or a staff pick, or someone will read their work and give them a boost in some way. That’s pretty much all this business is about.

So, if you have a script, put it up (for free!) on Scriptd.com.

(And if you have money or applicable skills and want to become part of making a MY ZOMBIE PARENTS graphic novel in the next couple years — let me know!)

Some context: My out-of-date Blcklst.com reviews from 2014: Parts One, Two and Three
An AFF review of My Zombie Parents circa 2015.

I Might Start a Vlog…

Guys, I’m thinking about starting a vlog. It’s not something I’ve considered before because I don’t love being on camera or speaking spontaneously and especially for the style I’m thinking about it will require camera and editing skills far beyond what I have. I can already envision the amount of media collection and organization that will be called for, and I know I will want to kill myself. But still, I’m thinking about it.

I think it’s because I have two things going on simultaneously in life right now:

  1. In my freelance “content creation/consulting” career, I’m working with a client who is considering adding various types of video content to her business.
  2. I’m writing a fictional screenplay where the main character is a YouTuber/Influencer.

The result is that I am researching, reading about and watching more YouTube vlog-type content than ever before. And I’m thinking… “this looks interesting!” It’s kind of like personal essay, kind of like blogging, and kind of like documentary…

Would it be fun, or just a ton more work? Actually I can tell it would be a ton more work. Would it also be fun?

More as this story develops.