Did you know that pretty much every day is a social media holiday? These are basically just prompts for generating “content” for businesses. I should possibly start using them more for this blog, as the “holiday” also creates a deadline… which is something I apparently need. Once again I will share a Dr. Amy blog I wrote, because I think the topic is pretty interesting — something I would write about here if I ever got around to it. In honor of #TrainYourBrainDay, “Dr. Amy” interviews me about my Muse Brain Sensing Headband, which I use to meditate.
Ironically, as I hurriedly wrote that post about how amazing meditation is, I had also gone more than a week without meditating. How do I know? Because the Muse sent me an email telling me it had been eight days… and that might have been a couple days ago. And you know what? In that time, I’ve grown more frazzled, distracted — feeling under the gun and less able to focus. This happens gradually, then suddenly. For a few days, it doesn’t seem to matter, and then I tell myself if I can “just get this done” I’ll feel more grounded again, and then, when I’m all the way gone, I remember (not for the first time) that the to-do list is never going to stop — it’s me who has to stop myself.
Lately I seem to have a to-do list that grows faster than I can trim it, and it’s got me feeling ungrounded. In between checking items off, I just ran into the kitchen, sliced off a swath of butterscotch brownie and shoved it into my mouth as a little “reward.”
But was it a reward that I needed? Did I even take the moment to really enjoy it? In a way, I did — although it was after it was already in my mouth, mid-chew, before swallow — I did remember to slow down for a moment and appreciate the sweetness and slight graininess of the sugar.
Updating this blog is one of those things that has been on my to-do list for awhile, but it hasn’t happened yet, so I thought I’d share this blog post about our craving brains that I wrote for a client’s business blog this week!
This past week, I was the guest on PIVOT POINTS with JOSEPH DEBEASI, a podcast that talks about the ups, downs and “pivots” of living the creative life.
A little insider information is that, although I had a great time talking with Joseph, my feeling after we recorded our session was, that was a complete trainwreck. I even called him the next day to tell him that he didn’t need to use it, and I totally understood if he didn’t want to damage the reputation of his podcast with a guest whose contribution was an incoherent jumble of words. And of course, I was worried about what anyone who listened would think of me—who wants to hire a writer or editor who is unable to get to the end of a sentence!
Joseph, who is an amazing music composer with a deep background in sound editing, told me not to worry—that it would come out in the edit. True to his word, he did an amazing job of paring away my rambling digressions in order to make this a coherent and — dare I say it — even compelling interview.
You can check it out wherever you listen to your podcasts (I’m episode 58), or here:
Today I saw that The Hollywood Reporter published this article last week.
The article is mostly about another project at Jumpcut, the studio that has optioned a pilot I wrote called Jack 9, but Jack 9 is mentioned here in the subheading…
And later in the article, I am named in conjunction with the project.
To amend a few details, my name has an additional “t” at the end, the project did NOT go through the Jumpcut incubator and I’m not sure that Freedom Road is still involved… but still, it’s fun to see one’s project in print.
A notable moment I want to record it before it passes too far into the past: AMERICANISH, a film that Paul produced, had its debut in San Francisco last weekend at CAAMFEST where it won the audience award!
In an only-barely post-Covid-vaccine world, the viewing was both virtual geo-locked to California, and live, at a drive-in at Fort Mason Center.
This felt especially sweet as last year was chock full of disappointments when the film was rejected from a number of top festivals. The producing team went through the additional time, effort and expense of “re-opening” the cut and do more edits, as well as take a hard look at where their film “fits in.” A fun, sweet comedy about Muslim women following their dreams in New York can be a “one of these things is not like the others” situation at film festivals that tend to have a more serious-minded curatorial bent. The movie still has an uphill climb to find love and distribution, but now there are some good reviews coming in, the pandemic easing up, and people in general wanting to feel more optimistic and have fun, it may have found its stride! Here’s hoping!
And here’s a trailer:
A little background, since I don’t think I’ve talked much about this project here on this blog. AMERICANISH has been in the works for about five years. When Paul came on board four years ago, the working title was still “My Cousin Sister’s Wedding.” Paul’s role as a producer began when his friend, Iman, from film school approached him about doing a rewrite pass on a feature she was going to be directing. She and her co-writer were applying for some funding and the script needed a little push to get it in shape. He did the pass, then ended up mentoring and helping her on set, since this was her first feature. (He directed his first feature in 2011-12). During post, he spent months working with a first-time feature editor here in LA. And throughout, he has been involved in the gazillion little decisions and frustrations that go into making a film: which edits, which music, what posters, what trailers, what colors, what name, what fonts where to spend money, what to do then there is no money, what festivals to enter, what to do when festivals say “no,”— and more. This small victory is well-earned by everyone involved.
When Paul or I get some kind of award or a good thing, we joke/not joke, saying, “I’m proud of you everyday, but today you got an award.” This week the film achieved a benchmark, but I’m proud of Paul for the things he does every day. For mentoring and helping people—not just his friends, and not just people in a position to “pay him back”—from where he is now — even when he’s dealing with a disappointments or losses in his own life or career, he is generous with his skills, his time, his advice and his presence and unique energy. There were many examples of this during the course of making this film. (I can say all this, because he does not read this blog!)