Life in a Time of Pandemic (April 16-17, 2020)

Thursday, April 16, 2020

I’ve turned a corner somehow, and lost my intrinsic motivation to take my morning walk — maybe because it was raining on a couple of days, maybe because I threw my back out a few days ago. Lately I wake and think, what if I just stay in bed? 

I’ve let nine days pass without updating my journal, and without even noticing. In the news as in life, the days are blending together — the number of COVID illnesses and deaths feature less as unemployment numbers, and and the political work of assigning blame for the pandemic take center stage. In neglecting to journal, I’ve also neglected to record the day-to-day events — but today’s news feels mostly like yesterday’s news: Retailer are facing catastrophe because no one is buying much. There still aren’t enough Covid 19 tests to give an accurate picture of the virus’s spread, and there is speculation that the virus was active in Europe and the US before anyone realized it. (Half a dozen people I know personally surmise they’ve “probably had it” because they had some kind of flu or malaise in the past few months.)

Those of us with direct deposit received stimulus checks arrived yesterday of $1200 each. Paper checks have been delayed by a couple days so President Trump could add his name on the checks. He couldn’t sign them, as he wished to, because by definition he is not the Department of the Treasury, but his name will appear on the left-hand side, below the memo line.

Because of my career aspirations and interests I am on numerous Facebook pages and email lists for various organizations which are offering free content for my consumption during this time. After working and teaching online, it’s hard to feel enthused about more hours in front of a computer . but I try to occasionally take advantage.

There’ll be more time for such entertainments after the next couple weeks. Tonight is my last Thursday class — my pitching class. In a burst of energy, I decided to invite outside guests to our final pitches on Zoom, and, as with life events IRL, I am living with the anxiety and partial regret phase of that decision now. Nervous about my ability to play MC and wrangle the Zoom settings and make people feel appreciated.

Saturday, April 17, 2020

Our little Zoom pitchfest went very well last night. All the students rose to the occasion! Their pitches came in right at ten minutes, which was the target — I could tell they had planned and practiced.  I think we’d all been working toward this and been distracted from the reality of it being the last class. At the end, we let our guests go had a pretty emotional farewell! 

And now I am feeling a little sad. I’ve been pushing through these last weeks of class. I’ve been extra glad to be working during the pandemic, but also feeling I’ll be relieved when the performance anxiety (because even though I feel I’m a good teacher, it is my nature to feel anxiety before every class) is over. But the flip side of having that small version of “stage fright” is that I also tend to feel what I’ve labeled over the years “post-show depression.” Plus I won’t see my students anymore…

But here’s a little inspirational side note. My friend Dmitry offered the students some advice that I could stand to follow myself: “Write first thing in the morning.” During my time here in Florida, I’ve been consumed with teaching, then pitching my TV show, and then, with the pandemic and the closure of my yoga studio, wanting to walk outside before the heat, I have given up my morning writing, and my writing has gone out the window…. I have often noted that whatever I do first thing in the morning is the only think I can guarantee will get done, because the day can go off the rails at any time.

This morning, for example, this journal entry is likely the only thing I’ll write today — especially, since I’ve now done something which will end my fragile writerly flow, which is look at my newsfeed:

A Wall Street Journal article notes that yesterday marked the record for number of US deaths from Covid19  in a 24 hour period. It was 4591– up from the prior record of 2569.  There were 31,451 reported new cases, bring the total to 671,000 reported Coronavirus cases, and 33,000 deaths in the US.  Confirmed cases worldwide is more that 2.15 million and the number of deaths top 144,000. 

Other news highlights:
5.2 million Americans sought unemployment benefits last week — the month total is 22 million.
Aid programs for small companies and individuals have reached their funding caps.
Shares of Gilead Science rose 15.1% after reports that one of their experimental drugs was performing well in trials with Covid 19 patients. 
The shipments of masks and test kits from China are being delayed because of quality control issues.
Some governors in contiguous states in the west and the midwest have formed coalitions to use collective bargaining power to get supplies

After some flurry about who would be in charge, President Trump has said that the governors of states will to set the timelines for their “re-opening.” 
The White House has issued some guidelines — saying that the states should phase in reopening once they’ve seen a downward trend of cases over a two-week period and outlining what those phases might look like:

Phase 1: Reopen movie theaters, restaurants, sports venues, places of worship, gyms and other venues with strict social distancing guidelines in place. Vulnerable people should still stay at home — and no visits to nursing homes and hospitals. Some people would return to work, though telework is still encouraged.
Phase 2: Non-essential travel could resume, and bars could open with some restrictions. Schools and youth activities could reopen.
Phase 3: No restrictions on workplaces, vulnerable people could resume social interactions, but seek to follow social distancing. Visits to hospitals and nursing homes could resume.

Poem for Uncertain Times

We are into March — hard to believe the year has gone so fast. It’s strange days many ways. For reference in the future — there is a virus, CoVID 19 (Coronavirus) that is going around, and is starting to make people fearful of a pandemic. Paul and I flew to California for our spring break from our semester in Florida, and in the week we have been here, large events have been cancelled, the shelves at stores that contained hand sanitizer or toilet paper are bare. We are entering uncertain times.

In the midst of this, I had a week of pitch meetings– almost a dozen– for a television show I’ve conceived. It felt good, after almost a year of no meetings. Even knowing it marks the beginning of a period of uncertainty, waiting for people to say yes or no, or nothing, to be followed — if I am lucky– by a year of notes, more uncertainty, and probably no money, it still feels good.

Today is our last day home before flying back — so I am at last taking down the Christmas tree– one of the things that didn’t get done in the hectic days before our departure in December.

I may have told this story before: When I lived in Australia, I was diagnosed with cancer. I traveled to Melbourne for a surgery, and when the tumor analysis came back, my prognosis was very much up in the air. It was not cheery. It was uncertain at best. After I had recovered enough to travel, Paul and I returned to our home in Alice Springs — and our friend Genevieve had organized all of our friends and acquaintances to decorate a small tree — each person offering an ornament. The ornaments bore their names, and little thoughts and prayers. As a child, I used to resist the “ugly” ornaments that my parents wanted to put on the tree — I only liked the shiny round ones that “matched.” Now, of course, I treasure each of these ornaments, and every card, though they are becoming crumpled by the years.

Today as I was packing it up, I paused to read a hanging card from my friends Jane and Craig. They had taped this poem on the inside:

Beannacht / Blessing

On the day when
the weight deadens
on your shoulders
and you stumble,
may the clay dance
to balance you.

And when your eyes
freeze behind
the grey window
and the ghost of loss
gets into you,
may a flock of colours,
indigo, red, green
and azure blue,
come to awaken in you
a meadow of delight.

When the canvas frays
in the currach of thought
and a stain of ocean
blackens beneath you,
may there come across the waters
a path of yellow moonlight
to bring you safely home.

May the nourishment of the earth be yours,
may the clarity of light be yours,
may the fluency of the ocean be yours,
may the protection of the ancestors be yours.

And so may a slow
wind work these words
of love around you,
an invisible cloak
to mind your life.


John O’Donohue

from Echoes of Memory (Transworld Publishing, 2010) reproduced by permission of the author’s Estate

Thanks, Part 2

2019 has been a year. Such a year that I haven’t even thought much about how it’s the end of a decade — another thing to process at another time.

Parents of dear friends have been ill this year. Parents of dear friends have died. Spouses of friends were ill this year. Spouses of friends have died. A beloved teacher died this year. My mother had hips replaced, my father-in-law lost much of his sight, My mother-in-law’s unflagging energy has begun to flag.

Predictions about the environment became more dire this year, people became more clear about what divides them and less interested in bridging those divides.

My career aspirations took beatings surrounded by the kind of circumstances  that make me question not just if I’ll ever be able to achieve them, but if they are really worth achieving.

What I find myself thinking about, as much as lack of money or milestones (perhaps I am processing the decade after all) is how, at an age by which I’d expected to be “reaching back” to assist others, I instead find myself continuing to wait for my own air-mask to drop from the airplane ceiling as we fly through increasing turbulence.

It is hard to know what kind of movie I’m in — Is it a movie where the hero experiences a crisis of faith, but stays steadfast to the goal and it makes her success ultimately sweeter? Or is it a movie where the hero realizes her goals have been false, and finally notices the more authentic life that has been there all along, just waiting — in girl-next-door-like fashion —  to be loved?

Why did I name this post Thanks, Part 2? Truthfully, I started writing it the other day, and now I can’t remember! But rather than change the title, I’ll rise to the occasion: 2019 has been a year — the kind of year where when people ask, all you think to say is “I survived.” And, if you are me, you might say that with a dry tone deprecating tone.

But, actually — that’s huge. The gift of survival. To arrive at the end a year in one piece; to have another year to try to figure it all out (or not)?

I’ll take it.

Thanks.

Another Poem

I must be feeling poetic this morning.

Good Bones

By Maggie Smith

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.

According to this bio from Maggie Smith’s website, everyone else read this poem back in 2016. Also, the article answers my immediate question about whether Maggie Smith the poet is also Maggie Smith the actress (spoiler: she is not).

Thanks, Part 1

In exchange for all the sacrificed minutes, the Twitter occasionally offers a gift.

Thanks

Listen
with the night falling we are saying thank you
we are stopping on the bridges to bow from the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water thanking it
standing by the windows looking out
in our directions
back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you
over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the door
and the beatings on stairs we are saying thank you
in the banks we are saying thank you
in the faces of the officials and the rich
and of all who will never change
we go on saying thank you thank you
with the animals dying around us
taking our feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us
we are saying thank you faster and faster
with nobody listening we are saying thank you
thank you we are saying and waving
dark though it is
W.S. Merwin, “Thanks” from Migration: New and Selected Poems. Copyright © 2005 by W.S. Merwin.  Reprinted by permission of The Wylie Agency, Inc..
Source: Migration: New and Selected Poems (Copper Canyon Press, 2005)
(Don’t know W.S. Merwin? Neither did I. Here’s a Wikipedia link, and better, a New Yorker article written after Merwin’s death in March of this year.